THE NEW YORK TIMES, FRIDAY, JULY 28, 2006
Art in Review
Reality
Unchecked
P.P.O.W.
555 West 25th Street, Chelsea
Through Aug. 11
Reality
is not a given. It is a complicated, unstable mental construction cobbled together
from empirical experience, fantasy and abstraction. Or so it would seem, judging
by “Reality Unchecked,” an interesting show of artists who combine
realistic, imaginary and abstract styles.
Colleen Asper
has painted a funny, deadpan spoof of an official presidential portrait with
herself in a business suit and pearls sitting at her Oval Office desk. And Angela
Fraleigh creates Abstract Expressionist-style paintings with oversize images
of herself seeming to sink into the Dionysian flux like a heroine in a Gothic
romance novel.
Eric White’s
paintings are more conventionally illustrative. One depicting a giant, many-eyed
surveillance device descending into a sports stadium occupied by a shadowy crowd
would make a good cover for an Orwellian sci-fi novel.
The show’s
one sculptor, Nathan Skiles, used rigid foam, felt, cardboard and other materials
to construct an ingenious trap for zombies. Were one of the undead to try to
take the bait — a hanging severed arm — it would trigger a remote
shutter release and the zombie would be captured on film by the realistically
made camera set up on a tripod.
An absorbing
video by Adam Stennett shows two real male mice fighting over a group of females
in a miniature parklike environment while the artist tells a story of witnessing
a violent crime and later reporting it to the police. It is debatable whether
this piece belongs in a show of traditionally handmade works, but in its own
way, it conveys a vivid sense of social reality. KEN JOHNSON
Source: Johnson, Ken, Reality Unchecked, P.P.O.W., The New York Times, Art in Review, Arts, Friday, July 28, 2006, p. E30.